Kaaj Tshikalandand

In this episode of The Emergence Room, T.J. Dedeaux-Norris hosts a conversation with Kaaj Tshikalandand – cultural mediator and anthropological researcher. Recorded at the closing of T.J.’s exhibition Black Body: Ancient City at Murate Art District in Florence, Italy. This marks the podcast’s first-ever live episode, held in the museum with a live audience, and the first time T.J. is hosting the show on her own within the space of her own exhibition.

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Liz Glynn

In this episode of The Emergence Room, we sit down with Liz Glynn – a sculptor, performance artist, and current Rome Prize Fellow at the American Academy in Rome. Known for her work navigating endurance, material transformation, and the politics of labor, Glynn has been in Rome working with wax and plaster – materials that hold memory, pressure, and impermanence, echoing her ongoing interest in how bodies, histories, and systems leave their imprint.

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João Salema

In this episode of The Emergence Room, we sit with João Salema, a fellow traveler whose practice feels as fluid and transient as the way she moves through the world.

Our conversation unfolds around living between places—between homes, cities, languages, and selves. We talk about what it means to build an art practice while constantly in motion, and how João makes objects appear, disappear, and reappear—both materially and emotionally.

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Christine Sun Kim

In this episode, we are joined by Christine Sun Kim, an artist whose work rigorously examines sound, language, power, and access. Christine’s practice challenges assumed hierarchies of communication and invites us to reconsider how meaning is produced, circulated, and authorized. Her work moves across drawing, installation, performance, and social engagement, often asking who systems are built for and who is required to adapt.

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Sean Mooney

On this episode of The Emergence Room, we’re so honored to sit down with Sean Mooney — American Academy in Rome Fellow, artist, curator, and longtime collaborator with Chuna McIntyre.

This conversation unfolds around music and singing, and how sound becomes a way of holding memory, devotion, and care. We talk about what it means to live as an artist who is also a caretaker — of ideas, of objects, of people, and of shared histories.

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