Kevin Martìn

In this episode, we sit down with Kevin Martìn, a 2025–26 Rome Prize Fellow in Modern Italian Studies at the American Academy in Rome and a PhD candidate at UC Berkeley. Kevin’s research looks at the sociolinguistic history of Italian colonialism in East Africa, asking what language can reveal about power, migration, colonialism, and the voices that have too often been left outside the historical record.

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Liana Miuccio

In this episode, we sit down with visual artist, photographer, filmmaker, and educator Liana Miuccio. Born in Rome and raised in New York, Liana is a dual citizen of Italy and the United States whose life and practice have moved between these two places. She teaches photography in Rome at Cornell University and Temple University, and her work explores identity, memory, migration, and the ways our everyday lives become part of the stories we tell about ourselves and one another.

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Heather Hart

On this episode of The Emergence Room, Heather Hart joins us for a conversation about culminating our time as 2025–26 Rome Prize Fellows at the American Academy in Rome and what it means to carry that experience forward. Heather is an artist, Assistant Professor of Sculpture at Rutgers University, and co-founder of Black Lunch Table, a platform dedicated to supporting the histories, intellectual agency, and communities of Black artists.

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Katharine Ogle

New episode of The Emergence Room featuring Katharine Ogle, poet, scholar, mother, educator, and 2026 Rome Prize Fellow in Environmental Arts & Humanities at the American Academy in Rome. Katharine’s collaborative project with biologist Adam Summers, Piscis Romana, reimagines the field guide, the poem, and the scientific archive all at once: part bestiary, part walking guide, part ecological meditation.

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Adam Summers

On this episode of The Emergence Room, we had the pleasure of talking with Adam Summers, scientist, educator, explorer, and 2026 Rome Prize Fellow in Environmental Arts & Humanities at the American Academy in Rome. Adam can almost always be found somewhere around the Academy wearing one of his now iconic fish shirts, which at this point feel less like clothing and more like a long-running conceptual art piece disguised as field biology.

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